Kai Cenat is known for the highest number of followers on the platform, but he was also banned five times

Wild boar in southeastern Germany have long contained high levels of radioactive substances, which has been attributed to the 1986 Chernobyl nuclear disaster. But as radioactivity levels have fallen in other animals, they have stayed much the same among boar. Now, scientists have worked out the secret behind the so-called “wild boar paradox”. Research shows there is another culprit for the high levels of radioactivity: nuclear weapons tests from the mid-20th century. And both the weapons and the nuclear reactor meltdown continue contaminating the boar because of their diet. While the muscular boar seem healthy, the dangerous levels of radioactive caesium, the main contaminator, have prompted people to stop hunting them. In turn, there is now an overpopulation issue. “Our work reveals deeper insights into the notorious radio-cesium contamination in Bavarian wild boars beyond the total radionuclide quantification only,” radioecologist Felix Stäger from Leibniz University Hannover wrote in a paper. After a nuclear incident, radioactive materials can pose a significant threat to ecosystems. This happened after the Chernobyl meltdown in 1986, where there was an increase in radioactive caesium contamination. The main component of this, caesium-137, has a half-life of about 30 years, meaning it loses its radioactivity fairly quickly. However, caesium-135, which is created via nuclear fission, is far more stable. It has a half-life of more than 2m years. The ratio of cesium-135 compared to cesium-137 can help us work out where the cesium came from. A high ratio indicates nuclear weapon explosions, while a low ratio points to nuclear reactors like Chernobyl. So the researchers analysed caesium levels from 48 wild boar meat samples from 11 regions of Bavaria. It turns out that nuclear weapons testing was responsible for between 12 per cent and 68 per cent of the unsafe contamination in the samples. “All samples exhibit signatures of mixing,” wrote the researchers. “Nuclear weapons fallout and [Chernobyl] have mixed in the Bavarian soil, the release maxima of which were about 20−30 years apart.” So while Chernobyl remains the main source of caesium in wild boar, about a quarter of the samples showed enough contributions from weapons fallout to exceed safety limits even before the reactor meltdown comes into account. And because wild boar eat so many truffles, it has been exacerbated. The fungus absorbs high levels of contamination from both sources. Wild boars' diets, which include underground truffles, have absorbed varying levels of contamination from both sources, which has contributed to the animals' persistent radioactivity. “This study illustrates that strategic decisions to conduct atmospheric nuclear tests 60−80 years ago still impact remote natural environments, wildlife, and a human food source today,” the authors concluded. The study was published in Environmental Science & Technology. Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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TikTok does not want to compete with the BBC at Eurovision but instead “complement” and drive viewers towards its grand final coverage, a manager has said. The social media platform has partnered with contest organiser the European Broadcasting Union (EBU) and the BBC for the event in Liverpool, with busker pop-ups around the city, special coverage and gigs. James Stafford, TikTok’s general manager of marketing and operations for the UK, Ireland and Nordics, told the PA news agency the firm was doing “a lot of work” to promote the live TV broadcast. He said: “The hour before the live show on Saturday the BBC will be doing an exclusive live stream on TikTok that is designed to capture as much attention and audience from TikTok as possible, and direct them to go and tune in and watch the live broadcast. We would much prefer that we are a complement to those broadcasters and we can help them discover the next generation of fans who are going to tune in and watch Eurovision live on the BBC James Stafford “Now our goal here is not to compete with broadcasters for the live show. “We would much prefer that we are a complement to those broadcasters and we can help them discover the next generation of fans who are going to tune in and watch Eurovision live on the BBC.” Mr Stafford also sought to allay security concerns over TikTok’s involvement in the contest. TikTok is owned by Chinese internet company ByteDance, which argues that it does not share data with China’s government, but Beijing’s intelligence legislation requires firms to help the Communist Party when requested. Mr Stafford said: “The governments in Europe, including the UK, that have advised their employees not to use TikTok among other social apps on corporate devices is a purely precautionary measure, and it’s not the advice to ban the app in any of the markets. “We engage with all of our partners – the EBU, the governments that we partner with – to try and understand what their specific concerns are and share all of the information and be as transparent as possible about their concerns, so that we can move on from them.” Mr Stafford added that TikTok had had discussions with the EBU about the concerns. “Any one of our partners who has concerns, we are more than happy to be open and transparent with them about what they are,” he said. It came after Martin Osterdahl, the EBU’s executive supervisor for Eurovision, said the organisation plans to review its official partnership with TikTok – now in its second year – when the current contract ends. He told a press conference on Wednesday: “We review all our sponsorship agreements regularly and when they expire. We will do the same with TikTok. We will see what the situation is when that contract expires.” This year’s contest features a number of musicians with large followings on TikTok, including Norway’s Alessandra and Denmark’s Reiley. UK entrant Mae Muller, meanwhile, had chart success with her 2021 song Better Days after it went viral on the platform. Mr Stafford said that aside from last year’s UK entrant Sam Ryder being “incredibly talented” and “the most likeable person on Earth”, he also went into the 2022 contest with millions of TikTok fans. “I think a lot of other artists and delegations looked at that and saw the huge advantage there was to connect with fans and potential voters months before coming here,” he added. “So you will see that being a huge trend for the way various countries have selected their artists this year. “Of the 37 artists this year all of them are on TikTok and are really active and building their fan bases.” Darina Connolly, TikTok’s head of label and artist partnerships, said performers such as Israeli pop diva Noa Kirel, who has gone viral with a hand gesture dance move inspired by her song Unicorn, did not design their routines with TikTok in mind but such moments naturally translate to the app. She told PA: “I think all contestants are super focused on delivering the best performance that they can and I think easily a lot of that does translate to TikTok because we are an entertainment platform first and foremost, and people come to the platform to be entertained. “I wouldn’t say that the artists have done it specifically with TikTok in mind, but they have done it with entertainment in mind, which fits hand in hand with what we do as well.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Eurovision’s preparations for potential Russia cyberthreat ‘in good place’ UK-based tech company claims quantum computing ‘breakthrough’ Concert drone show organiser describes ‘nerve-wracking but exciting’ evening

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