Narwhals are among the most elusive creatures in the ocean, with their long, spiralling tusks giving them an almost mythological quality. And whilst many people would pay good money to see these unicorns of the sea in the flesh, they are notably absent from the world’s aquariums. The reason for this is both dark and mysterious, since there have only been two attempts to keep the toothed whales in captivity. Both of these ended in tragedy and the general acceptance that narwhals simply don’t belong in our sealife centres. The legendary porpoises, which are related to belugas and orcas, are found in Arctic coastal waters and rivers. They have two teeth and, in males, the more prominent of these grows into the swordlike tusk which can be up to 10 feet long, according to National Geographic. Back in 1969, Coney Island’s New York Aquarium becoming the first-ever centre to put a narwhal on display. According to IFL Science, the aquarium became home to a young calf called Umiak, whose name referred to the canoe used to hunt the species in the High Arctic. It was captured by members of the Inuit community who said that it followed their canoe back to camp after they killed its mother for meat. Umiak was put in a tank alongside a female “white whale” (most likely a beluga), who acted as its stepmother. And although staff reportedly fed vast quantities of milk mixed with chopped clams to keep it happy, they weren’t able to keep it healthy. Less than a year after Umiak arrived at the centre, the orphaned narwhal died of pneumonia, as reported by The New York Times at the time. Still, the animal’s swift and tragic demise didn’t stop Canada’s Vancouver Aquarium from attempting the same feat in 1970. The aquarium had been gearing up to host a narwhal since 1968, when its director, Murray Newman, hoped that bringing narwhals to the city could generate interest in the species and help with its conservation, IFL Science reports. After two unsuccessful attempts to capture one of the whales themselves, Newman and his team were forced to buy a young male from a community of Inuit hunters based in Grise Fiord on Canada’s Ellesmere Island. The animal was reportedly called Keela Luguk – a phonetic spelling of the word “qilalugaq”, which means “narwhal” in some Inuktitut dialects. Within a week of Keela Luguk’s arrival at Vancouver Aquarium in August 1970, the centre had caught two female narwhals and three calves, which were then added to his tank. However, in less than a month, the three calves had died. And by November, the two females were also gone. As public outrage mounted, the mayor of Vancouver himself called for Keela Luguk to be returned to the wild. But Newman would not succumb to their pressure and, eventually, on 26 December that same year, the young whale was reported to have died too. It’s not known exactly why the narwhals fared so dismally in captivity, particularly given that the species’s closest relative, the beluga, can survive a number of years, or even decades, in aquarium facilities. However, the porpoises are known to be exceptionally sensitive animals, with studies finding that they are so affected by human-made noises that even the sound of a ship sailing near their habitat is enough to radically impact their behaviour. Fortunately, aquariums seem to have got the memo, and narwhals have largely been left to continue their lives as fabled enigmas of the sea. Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Stereophonics frontman Kelly Jones has spoken about the growing use of artificial intelligence in music saying that “art should come from people”. The 49-year-old lead singer of the rock band which formed in Wales in 1992 also questioned the move towards multiple songwriters on a release. Jones spoke to Times Radio at Latitude Festival in Henham Park, Suffolk, on Sunday after he played with his new band Far From Saints. The Welsh musician said he had not realised until attending the Ivor Novello Awards that AI technology is being increasingly used to “finish off people’s songwriting”. He also said: “I’m not against forward-thinking technology and how things are progressing, but I think art should come from people, I mean the basics of it anyway. “I think art has always been somebody’s expression, a real person’s expression from a heart, from a head. “If you’re going to start an idea, then a computer finishes it, I mean, it’s OK, but it’s just about algorithms and things like that, it’s not my personal feeling on where it should come from. “I’m not really into 10 songwriters on a song. “It’s like if you’re making painting, you’ve got 10 painters chucking paint on a canvas, I mean, whose f****** painting is it anymore?” Far From Saints have been touring festivals after releasing Let’s Turn This Back Around earlier this year. Jones, who set up his new band with Patty Lynn of The Wind And The Wave, said since the pandemic and the UK’s break from the European Union it has become harder to make money from music. He said: “It’s kind of a nightmare with… Brexit and all that sort of stuff. “So it’s a very different place since Brexit, since Covid, since all of that stuff. “So it’s not easy to make a living of it if you’re a brand new kid coming out onto the street, ‘just let’s get in a van and go make music’ – it’s kind of hard.” There has been a mixed response to the technology in the music business, with country star Dolly Parton voicing concerns about AI while Black Eyed Peas member Will.i.am has taken an optimistic view on new music software. Last month, Parton told a press event: “I think I’ve left a great body of work behind. “I have to decide how much of that high-tech stuff I want to be involved because I don’t want to leave my soul here on this Earth.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live TikTok is now most favourable single source of news in UK teenagers, research shows Talk of AI dangers has ‘run ahead of the technology’, says Nick Clegg Eurostar passengers can avoid UK passport checks by having faces scanned

SEATTLE--(BUSINESS WIRE)--Sep 18, 2023--

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Just when you thought 2023 was already going pretty badly, an “entrance to the underworld” has been found under a Mexican church - so, that can't be a good omen. It is, however, a very interesting find: the ancient structure was once believed to be an opening to hell and it was discovered in the site of Mitla near Oaxaca. It consists of a labyrinth leading underground used frequently by the Zapotec culture, who lived in the area for around 2200 years until the Spanish conquests in 1521. While the structure has its origins much earlier, the site was expanded by the Zapotecs and it was used extensively until a Church was later built over it after they left the area. Sign up to our free Indy100 weekly newsletter Around the late 16th century CE, after the Spanish had welcomed themselves to the Americas, a Catholic church and other structures were plonked on top of the site. Traditionally, the ancient Zapotecs believed the ruin to be a doorway to the world of the dead, and it’s thought that the entrance to the passages could be through the main altar of the church. Teams from the Mexican National Institute of History and Anthropology (INAH), the National Autonomous University of Mexico (UNAM), the Association for Archaeological Research and Exploration and the ARX Project all collaborated on the findings. They used geophysical scanning to uncover the complex of tunnels. However, perhaps the most significant discovery was an area measuring around 16 to 26 feet below the ground which could be a large chamber. It’s an exciting development, and as only the first round of surveys has taken place this is just the beginning. Project Lyobaa: Revealing the Underworld of Mitla, Oaxaca www.youtube.com The ARX Project, one of the grounds behind the discovery, released an announcement saying: “In 1674, the Dominican father Francisco de Burgoa described the exploration of the ruins of Mitla and their subterranean chambers by a group of Spanish missionaries. Burgoa’s account speaks of a vast subterranean temple consisting of four interconnected chambers, containing the tombs of the high priests and the kings of Teozapotlán. “From the last subterranean chamber, a stone door led into a deep cavern extending thirty leagues below ground. This cavern was intersected by other passages like streets, its roof supported by pillars. According to Burgoa, the missionaries had all entrances to this underground labyrinth sealed, leaving only the palaces standing above ground,” it continued. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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