CALGARY, Alberta--(BUSINESS WIRE)--Jun 20, 2023--

(Reuters) -Meta Platforms-owned Facebook and Instagram were down for thousands of users on Friday, according to outage-tracking website Downdetector.com. More

As we now know, artificial intelligence has a mind of its own – and now it's dictating what the 'ideal body type' is. A recent study by The Bulimia Project asked AI software Dall-E 2, Stable Diffusion, and Midjourney to design what social media would consider the perfect man and woman. Inevitably, the results were largely "unrealistic" and couldn't be more distorted if they tried. And it goes without saying, the so-called "perfect" person does not exist. When it came to women, the AI images swayed towards blonde hair, brown eyes and olive skin. AI-generated men, however, had a bias towards brown hair, brown eyes and olive skin. Sign up for our free Indy100 weekly newsletter The string of images soon went viral across social media, and it didn't take long for users to chime in on AI's "problematic" take, with one writing: "The male look is actually very unhealthy." Another joked: "So, AI is basically a 14-year-old boy with no friends?" A third added: "So I need to look like I'm made of wax?" Many more slammed the software's racial bias, with the vast majority being Caucasian. "How is AI already racist?" One person asked while another said: "So the AI is also racist. I am shocked." The Bulimia Project said: "Considering that social media uses algorithms based on which content gets the most lingering eyes, it's easy to guess why AI's renderings would come out more sexualised. "But we can only assume that the reason AI came up with so many oddly shaped versions of the physiques it found on social media is that these platforms promote unrealistic body types, to begin with." Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

BRUSSELS Europe's second-top court on Wednesday rejected Meta Platforms' challenge against EU antitrust regulators. The European Commission had

If you're curious about what each Madden NFL 24 Edition has to offer, you've come to the right place.

PARIS LA DÉFENSE--(BUSINESS WIRE)--Aug 21, 2023--

Dream slammed Adin Ross while playing 'start, bench or cut' on the 'BFFs' podcast with Dave Portnoy, Josh Richards, and Brianna Chickenfry

MILPITAS, Calif.--(BUSINESS WIRE)--Sep 12, 2023--

TikTok does not want to compete with the BBC at Eurovision but instead “complement” and drive viewers towards its grand final coverage, a manager has said. The social media platform has partnered with contest organiser the European Broadcasting Union (EBU) and the BBC for the event in Liverpool, with busker pop-ups around the city, special coverage and gigs. James Stafford, TikTok’s general manager of marketing and operations for the UK, Ireland and Nordics, told the PA news agency the firm was doing “a lot of work” to promote the live TV broadcast. He said: “The hour before the live show on Saturday the BBC will be doing an exclusive live stream on TikTok that is designed to capture as much attention and audience from TikTok as possible, and direct them to go and tune in and watch the live broadcast. We would much prefer that we are a complement to those broadcasters and we can help them discover the next generation of fans who are going to tune in and watch Eurovision live on the BBC James Stafford “Now our goal here is not to compete with broadcasters for the live show. “We would much prefer that we are a complement to those broadcasters and we can help them discover the next generation of fans who are going to tune in and watch Eurovision live on the BBC.” Mr Stafford also sought to allay security concerns over TikTok’s involvement in the contest. TikTok is owned by Chinese internet company ByteDance, which argues that it does not share data with China’s government, but Beijing’s intelligence legislation requires firms to help the Communist Party when requested. Mr Stafford said: “The governments in Europe, including the UK, that have advised their employees not to use TikTok among other social apps on corporate devices is a purely precautionary measure, and it’s not the advice to ban the app in any of the markets. “We engage with all of our partners – the EBU, the governments that we partner with – to try and understand what their specific concerns are and share all of the information and be as transparent as possible about their concerns, so that we can move on from them.” Mr Stafford added that TikTok had had discussions with the EBU about the concerns. “Any one of our partners who has concerns, we are more than happy to be open and transparent with them about what they are,” he said. It came after Martin Osterdahl, the EBU’s executive supervisor for Eurovision, said the organisation plans to review its official partnership with TikTok – now in its second year – when the current contract ends. He told a press conference on Wednesday: “We review all our sponsorship agreements regularly and when they expire. We will do the same with TikTok. We will see what the situation is when that contract expires.” This year’s contest features a number of musicians with large followings on TikTok, including Norway’s Alessandra and Denmark’s Reiley. UK entrant Mae Muller, meanwhile, had chart success with her 2021 song Better Days after it went viral on the platform. Mr Stafford said that aside from last year’s UK entrant Sam Ryder being “incredibly talented” and “the most likeable person on Earth”, he also went into the 2022 contest with millions of TikTok fans. “I think a lot of other artists and delegations looked at that and saw the huge advantage there was to connect with fans and potential voters months before coming here,” he added. “So you will see that being a huge trend for the way various countries have selected their artists this year. “Of the 37 artists this year all of them are on TikTok and are really active and building their fan bases.” Darina Connolly, TikTok’s head of label and artist partnerships, said performers such as Israeli pop diva Noa Kirel, who has gone viral with a hand gesture dance move inspired by her song Unicorn, did not design their routines with TikTok in mind but such moments naturally translate to the app. She told PA: “I think all contestants are super focused on delivering the best performance that they can and I think easily a lot of that does translate to TikTok because we are an entertainment platform first and foremost, and people come to the platform to be entertained. “I wouldn’t say that the artists have done it specifically with TikTok in mind, but they have done it with entertainment in mind, which fits hand in hand with what we do as well.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Eurovision’s preparations for potential Russia cyberthreat ‘in good place’ UK-based tech company claims quantum computing ‘breakthrough’ Concert drone show organiser describes ‘nerve-wracking but exciting’ evening

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Sunburn, food poisoning, lost luggage…there are plenty of things that can ruin a vacation. Thankfully,

Disney has launched a new, cheaper subscription of its streaming service, with ads. The company will let subscribers pay £4.99 for the service if they are willing to have advertising injected at the start of films and inside TV shows. The advertising will be limited and users will see how long those ads are going to last, the company. Disney is just the latest in a range of subscription services, such as Netflix, to launch a cheaper version of the streaming service that is supported by advertising. The changes come amid a cost of living crisis and increasing competition for TV streaming subscriptions. As well as seeing ads, users on the new cheaper tier will be limited to watching two streams at once on one subscription, and will not be able to download offline. Netflix launched its ad-supported tier with similar limits, though it has restricted them somewhat in the time since. On Disney+, the more expensive ad-free tiers include the standard package at £7.99, or £79.90 annually, which has the same video and audio quality as the lower level but allows for downloads on up to 10 devices, while the premium model at £10.99, or £109.90, has improved video and audio quality and allows four devices to watch concurrently. The streaming giant has a host of series including The Bear, Elemental, and Coleen Rooney: The Real Wagatha Story. It also launched the new series following the Kardashian-Jenner family last year, titled The Kardashians, which follows on from its predecessor, Keeping Up With The Kardashians, in documenting the personal lives and business ventures of the siblings. General manager of Disney+ Europe, Middle East and Africa (EMEA), Luke Bradley Jones, said: “Today’s launch represents a significant milestone for Disney+ in the UK, offering customers the flexibility to select a plan that suits their needs and budget. “All of our customers can enjoy a wide range collection of award-winning original TV series and blockbuster movies, including FX’s The Bear, Elemental, and Coleen Rooney: The Real Wagatha Story, along with fan favourites like Season 2 of Marvel Studios’ Loki and the latest series of The Simpsons and Grey’s Anatomy.” Deborah Armstrong, country manager of the UK and Ireland for GM Media Networks and advertising EMEA, said: “Disney+ offers advertisers a prime opportunity to join our premium streaming platform, featuring our beloved brands and an exceptional line-up of movies and TV series. “The response from our clients and agencies has been overwhelmingly positive, firmly showcasing the quality of our content and the strong bond our brands share with audiences worldwide. “We’re partnering with a fantastic range of brands in all markets right from day one.” Additional reporting by agencies