Two of the world’s biggest artificial intelligence firms are being sued by celebrities including Sarah Silverman. The writers claim that ChatGPT creator OpenAI and Facebook parent company Meta used their text to train their artificial intelligence systems, without permission. “Since the release of OpenAI’s ChatGPT system in March 2023, we’ve been hearing from writers, authors, and publishers who are concerned about its uncanny ability to generate text similar to that found in copyrighted textual materials, including thousands of books,” wrote Joseph Saveri and Matthew Butterick, the lawyers behind the class-action complaint. Mr Saveri and Mr Butterick have already launched legal proceedings against GitHub Copilot, an AI coding assistant, as well as Stable Diffusion, the popular AI image generator. They call the systems “industrial-strength plagiarists” on a website built to track and promote that work that also includes the complaints that have been filed in California. Last week, the two lawyers launched class-action lawsuits against OpenAI, arguing that it was remixing the “copyrighted works of thousands of book authors—and many others—without consent, compensation, or credit”. That complaint was initially launched on behalf of two authors, Paul Tremblay and Mona Awad, who have since been joined by Sarah Silverman, Chris Golden and Richard Kadrey. The lawsuit alleges that their work had been downloaded from “shadow library” websites that make it possible to download large amounts of text in bulk. They were then used to train the ChatGPT and LLaMa systems made by Meta and OpenAI, it claims. The suit shows that ChatGPT will summarise those authors’ books when prompted, infringing copyright and not giving any of the copyright information about the books, the lawyers claim. The authors “did not consent to the use of their copyrighted books as training material”, the lawsuit says. OpenAI did not respond to a request for comment from The Independent. Meta declined to comment. Read More Will.i.am hails AI technology as ‘new renaissance’ in music Instagram Threads hits 100 million users SpaceX smashes reusable rocket record as Elon Musk makes bold Starship claim

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A man who stayed awake for 11 straight days to set a world record has spoken about how he experienced his brain starting to ‘break down’. Englishman Tony Wright went an incredible 266 hours without sleep back in 2007 and set a new record – only to see it broken by someone else just a month later. Wright spoke about his experience in a clip posted by the YouTube channel Sleep Gods, saying that an entirely different part of his brain was activated during his record attempt. "Basically, you're starving the rational mind, the egotistical mind of sleep, and it's battery is running down. And of course, it doesn't feel very good, it feels tired. Wright added: "But if you push beyond that, its ability to stay in charge starts to break down as well. And that's where you can start to get glimpses of access to the other side of the brain, the other self." Man Who Didn't Sleep For 11 Days Explains Sleep Deprivation www.youtube.com "I've spoken to a lot of people about this. Most people have recollections where they've been partying, or they've been working hard, and sure they get tired, but within that they get glimpses of something else.” He went on to say: "That kind of softness, or a more relaxed state - often more emotional, because again, there's more access to that emotional side of the brain. "Even feeling quite good, quite an altered state for brief windows, or getting a second wind even. You know, be really, really tired, no sleep, and then suddenly feeling fine for half an hour or an hour. "So all I really did, or what I was interested in, is making sense of that. And is it possible to exploit that and bring in combining techniques to tie the left side of the brain up, which initially doesn't feel great, but the reward on the other side of that makes it worth the effort." Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

This week’s new entertainment releases include an album from Foo Fighters and some lost songs by the late Kenny Rogers, a new gritty HBO series from “Euphoria” creator Sam Levinson called “The Idol” starring Lily-Rose Depp and The Weeknd

CHELMSFORD, Mass.--(BUSINESS WIRE)--Aug 1, 2023--

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WASHINGTON OpenAI CEO Sam Altman will testify before a Senate panel next week as the U.S. Congress grapples

Disney has launched a new, cheaper subscription of its streaming service, with ads. The company will let subscribers pay £4.99 for the service if they are willing to have advertising injected at the start of films and inside TV shows. The advertising will be limited and users will see how long those ads are going to last, the company. Disney is just the latest in a range of subscription services, such as Netflix, to launch a cheaper version of the streaming service that is supported by advertising. The changes come amid a cost of living crisis and increasing competition for TV streaming subscriptions. As well as seeing ads, users on the new cheaper tier will be limited to watching two streams at once on one subscription, and will not be able to download offline. Netflix launched its ad-supported tier with similar limits, though it has restricted them somewhat in the time since. On Disney+, the more expensive ad-free tiers include the standard package at £7.99, or £79.90 annually, which has the same video and audio quality as the lower level but allows for downloads on up to 10 devices, while the premium model at £10.99, or £109.90, has improved video and audio quality and allows four devices to watch concurrently. The streaming giant has a host of series including The Bear, Elemental, and Coleen Rooney: The Real Wagatha Story. It also launched the new series following the Kardashian-Jenner family last year, titled The Kardashians, which follows on from its predecessor, Keeping Up With The Kardashians, in documenting the personal lives and business ventures of the siblings. General manager of Disney+ Europe, Middle East and Africa (EMEA), Luke Bradley Jones, said: “Today’s launch represents a significant milestone for Disney+ in the UK, offering customers the flexibility to select a plan that suits their needs and budget. “All of our customers can enjoy a wide range collection of award-winning original TV series and blockbuster movies, including FX’s The Bear, Elemental, and Coleen Rooney: The Real Wagatha Story, along with fan favourites like Season 2 of Marvel Studios’ Loki and the latest series of The Simpsons and Grey’s Anatomy.” Deborah Armstrong, country manager of the UK and Ireland for GM Media Networks and advertising EMEA, said: “Disney+ offers advertisers a prime opportunity to join our premium streaming platform, featuring our beloved brands and an exceptional line-up of movies and TV series. “The response from our clients and agencies has been overwhelmingly positive, firmly showcasing the quality of our content and the strong bond our brands share with audiences worldwide. “We’re partnering with a fantastic range of brands in all markets right from day one.” Additional reporting by agencies