TikTok does not want to compete with the BBC at Eurovision but instead “complement” and drive viewers towards its grand final coverage, a manager has said. The social media platform has partnered with contest organiser the European Broadcasting Union (EBU) and the BBC for the event in Liverpool, with busker pop-ups around the city, special coverage and gigs. James Stafford, TikTok’s general manager of marketing and operations for the UK, Ireland and Nordics, told the PA news agency the firm was doing “a lot of work” to promote the live TV broadcast. He said: “The hour before the live show on Saturday the BBC will be doing an exclusive live stream on TikTok that is designed to capture as much attention and audience from TikTok as possible, and direct them to go and tune in and watch the live broadcast. We would much prefer that we are a complement to those broadcasters and we can help them discover the next generation of fans who are going to tune in and watch Eurovision live on the BBC James Stafford “Now our goal here is not to compete with broadcasters for the live show. “We would much prefer that we are a complement to those broadcasters and we can help them discover the next generation of fans who are going to tune in and watch Eurovision live on the BBC.” Mr Stafford also sought to allay security concerns over TikTok’s involvement in the contest. TikTok is owned by Chinese internet company ByteDance, which argues that it does not share data with China’s government, but Beijing’s intelligence legislation requires firms to help the Communist Party when requested. Mr Stafford said: “The governments in Europe, including the UK, that have advised their employees not to use TikTok among other social apps on corporate devices is a purely precautionary measure, and it’s not the advice to ban the app in any of the markets. “We engage with all of our partners – the EBU, the governments that we partner with – to try and understand what their specific concerns are and share all of the information and be as transparent as possible about their concerns, so that we can move on from them.” Mr Stafford added that TikTok had had discussions with the EBU about the concerns. “Any one of our partners who has concerns, we are more than happy to be open and transparent with them about what they are,” he said. It came after Martin Osterdahl, the EBU’s executive supervisor for Eurovision, said the organisation plans to review its official partnership with TikTok – now in its second year – when the current contract ends. He told a press conference on Wednesday: “We review all our sponsorship agreements regularly and when they expire. We will do the same with TikTok. We will see what the situation is when that contract expires.” This year’s contest features a number of musicians with large followings on TikTok, including Norway’s Alessandra and Denmark’s Reiley. UK entrant Mae Muller, meanwhile, had chart success with her 2021 song Better Days after it went viral on the platform. Mr Stafford said that aside from last year’s UK entrant Sam Ryder being “incredibly talented” and “the most likeable person on Earth”, he also went into the 2022 contest with millions of TikTok fans. “I think a lot of other artists and delegations looked at that and saw the huge advantage there was to connect with fans and potential voters months before coming here,” he added. “So you will see that being a huge trend for the way various countries have selected their artists this year. “Of the 37 artists this year all of them are on TikTok and are really active and building their fan bases.” Darina Connolly, TikTok’s head of label and artist partnerships, said performers such as Israeli pop diva Noa Kirel, who has gone viral with a hand gesture dance move inspired by her song Unicorn, did not design their routines with TikTok in mind but such moments naturally translate to the app. She told PA: “I think all contestants are super focused on delivering the best performance that they can and I think easily a lot of that does translate to TikTok because we are an entertainment platform first and foremost, and people come to the platform to be entertained. “I wouldn’t say that the artists have done it specifically with TikTok in mind, but they have done it with entertainment in mind, which fits hand in hand with what we do as well.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Eurovision’s preparations for potential Russia cyberthreat ‘in good place’ UK-based tech company claims quantum computing ‘breakthrough’ Concert drone show organiser describes ‘nerve-wracking but exciting’ evening

Debates around the legalisation of cannabis have existed for years, with cannabis currently considered a class B drug in the UK. This means you can be prosecuted with up to five years in prison or a fine of up to £2,500 if you're found in possession of it. Different factors can affect how cannabis will affect you. For example, smoking weed will meant the effects kick in a lot faster than if you were to take an edible. Age, height, weight, and tolerance levels can also change how you experience the effects of cannabis. However, here's a quick breakdown of how cannabis effects you, minute-by-minute: It can take anywhere between 2 and 10 minutes for the effects of smoking weed to kick in. However, according to Healthline if you take an edible, you could be waiting for half an hour to two hours before you start to feel the effects. One of the first effects you'll begin to feel is an increase in pulse rate. WebMD suggests that your heart rate can rise by 20 to 50 bears from the normal rate of 50 to 70 bears per minute. Your heart rate can stay at the increased rate for up to 3 hours after you use cannabis. Next, the blood vessels in your eyes will dilate, likely turning your eyes red as a result. If you smoked the cannabis, the THC (the main psychoactive compound in cannabis) will be fully absorbed into your blood around the 20-minute mark. However, if you took an edible this takes longer due to the THC needing to be absorbed by your liver. The body's neural chemistry can be altered once the THC is fully settled in your system, stimulating the part of your brain that responds to pleasure. This releases dopamine, resulting in the relaxed state often associated with smoking weed. However, some individuals can also feel anxious and have a panic attack as a result. Around this time is when you'll be hit with the 'munchies'. This is because the THC finds the olfactory bulb (which impacts your sense of taste and smell) in you brain, and can convince you that you're hungry, even if you're not. Roughly 30-minutes in is when the effects reach its peak, lasting up to five or six hours. You may begin to feel sleepy or confused, as well as getting the giggles. Depending on the strain of THC used, these effects can last longer, resulting in lasting impaired judgement. Although the effects mostly wear off within a few hours, traces of cannabis can still be prevalent in a urine test two or three days later. Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Glastonbury festival-goers used data equivalent to downloading the Rocket Man film in HD 400 times an hour for the entire five-day event, Vodafone has revealed. The festival’s “official connectivity partner” said 169 terabytes of data were consumed during the festival. The firm placed nine masts around the Worthy Farm site to cope with demand. Figures show 450 gigabytes of data were uploaded during Sir Elton John’s Sunday headline performance on the main Pyramid Stage. Over the course of the five-day event, some 20 terabytes of data were consumed at the biggest stage as the audience uploaded videos and pictures to social media. The Glastonbury app was downloaded 208,000 times, with more than 130,729 people using the “My Line-Up” feature, giving attendees reminders to get to pre-selected performances on time. Some 10,500 charging packs were sold through the event’s battery exchange scheme. Max Taylor, Vodafone’s UK chief commercial officer, said: “We are incredibly proud of our network team who boosted the network to its highest ever capacity in our first year as Official Connectivity Partner to Glastonbury. “We wanted to make sure that as many fans as possible could benefit from our reliable, award-winning network on site and we over-delivered on this promise. We can’t wait to bring even bigger and better things to Glastonbury next year.”

MrBeast addressed hoax videos of his death going viral on the internet

Many of us will never get our heads around the fact that scientists can actually look back in time. The power of telescopes enables us to study phenomena that occurred billions of years ago, and even gaze upon the dawn of creation itself. Now, astrophysicists have solved a great mystery at the heart of our universe's birth, when everything was shrouded in a dense fog. In four separate papers published in (or accepted into) The Astrophysical Journal, scientists at MIT, Japan’s Nagoya University, ETH Zurich and the University of Groningen in the Netherlands have shared some stunning insights into the period known as the Epoch of Reionisation. Sign up for our free Indy100 weekly newsletter Relatively little is known about this era, during which the thick fog engulfing the universe gradually cleared, allowing stars and galaxies to shine. However, fresh observations made using the James Webb Space Telescope (JWST) are beginning to pull back the curtain on it all. Now, scientists have finally figured out why one billion years after the Big Bang, that dense fog finally dispersed. First things first, what exactly is the Epoch of Reionisation? During the first billion years after the Big Bang, space was filled with a soupy mist of ionised gas which was impenetrable to light. As the gas began to cool, protons and electrons began to combine to form mostly neutral hydrogen atoms and some helium. These clumps of neutral hydrogen are then believed to have started forming stars, grouped into galaxies. This process reionised the gas but, because space had expanded by this point, the newly ionised hydrogen was diffuse enough to allow light to stream through, as Science Alert notes. A few million years later, the universe had become the transparent expanse with which we’re now familiar. To explain, here’s a look at what those four new papers reveal about why space became so much clearer. Paper 1 In the first study, researchers at the University of Groningen revealed that they had discovered crucial evidence of star formation during the Epoch of Reionisation. They found a specific wavelength of hydrogen, called hydrogen alpha, which is formed when a star is born and blasts out huge amounts of ionising ultraviolet radiation. Until now, no one was sure what produced all the ultraviolet light that emerged during the Epoch of Reionisation. But, thanks to their detection of hydrogen alpha, the Groningen team of astronomers that star formation had a “significant role in the process of reionisation”. Paper 2 Another paper, spearheaded by Japanese astrophysicist Daichi Kashino, added galaxies into the mix. According to Kashino and his international team, reionisation happened in “bubbles” around the plethora of newly-formed galaxies. They used JWST data to pinpoint these pockets and measure them precisely, identifying that they had a 2 million light-year radius around the tiny galaxies. Over the next hundred million years, the bubbles grew larger and larger, eventually merging and causing the entire universe to become transparent, according to an article published by NASA. Paper 3 A third group of researchers, led by ETH Zurich astrophysicist Jorryt Matthee, analysed the characteristics of these bubbles and found that the early galaxies they contained were hot, low in metals and dust and very active. He said they were “more chaotic” than those in the nearby universe, adding: "Webb shows they were actively forming stars and must have been shooting off many supernovae. They had quite an adventurous youth!” Paper 4 A fourth paper, led by MIT cosmologist Anna-Christina Eilers, focused its attention on the quasar galaxy at the centre of the JWST observations. This quasar is, according to NASA, an “extremely luminous active supermassive black hole that acts like an enormous flashlight”. Eilers and her team used data from the telescope to confirm that the black hole is the most massive currently known in the early universe, weighing 10 billion times the mass of the Sun. “We still can’t explain how quasars were able to grow so large so early in the history of the universe,” she said. “That’s another puzzle to solve!” Conclusion Well done if you’ve survived to the end – this is all pretty heavy-going. But the key point here is that before the JWST no one knew for sure what caused reionisation. Now, thanks to the mighty golden-eyed telescope, one of the great mysteries behind the birth of creation has finally been solved. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Chareleston White accuses Adin Ross of deceiving him during their LA trip claiming he was tricked into participating in a live stream with others

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MBA grads say the investment in their degree was worth it, according to a 2022 survey by the Graduate Management Admission Council, an association of graduate business schools

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Ford Motor Executive Chairman Bill Ford said the United States was not ready yet to compete with China